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Louise Rhoades - Brown
"Katie Lias' terrific design (with
proceedings taking place in a burnt
out husk of a stage) is marked by an
adaptability that allows the intimate
space to be transformed into various
locales with minimal effort"
- Daily Info Oxford
"Drawing on Jazz Age decadence
and gothic opulence, Katie Lias’ dark,
kaleidoscopic design imagines Glamis
as a burned-out hotel, all bullet-riddled
brickwork and flickering signage... it
congeals into an appealingly
-The Stage ****
"Lias' reimagining of the Watermill's
space as a sinister sleazy hotel,
possibly a bordello, run by the
Macbeths. With dark humour, the
entry is dominated by a neon sign
where O and T short out at key
moments, leaving it reading H—EL."
- WhatsOnStage ****
"I always look forward to the transformation
of the Watermill for every play and the set
for Macbeth does not disappoint."
-Sardines Review *****